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Chris Doyle is a multidisciplinary artist based in Brooklyn, New York. In addition to recent solo exhibitions in New York and Los Angeles, his work has been shown at The Brooklyn Museum of Art, The Taubman Museum of Art, MassMoCA, P.S.1 Museum of Contemporary Art, The Tang Museum, The Brooklyn Academy of Music, The Sculpture Center, and as part of the New York Video Festival at Lincoln Center and the Melbourne International Arts Festival. 50,000 Beds, a large-scale, collaborative video installation involving 45 artists was presented simultaneously by The Aldrich Contemporary Art Museum, Ridgefield, ArtSpace, New Haven, and Real Art Ways, Hartford. His work has been supported by grants from the New York Foundation for the Arts, NYSCA, the Creative Capital Foundation and the MAP Fund.
His temporary and permanent urban projects include LEAP, presented by Creative Time, Commutable, commissioned by The Public Art Fund, as well as recent commissions for Stockholm, Sweden, Culver City, California, Tampa, Florida, Kansas City, Missouri, Louisville, Kentucky, Austin, Texas, and Edmonton, Alberta.
He received his Bachelors degree in Fine Arts from Boston College and his Masters in Architecture from Harvard University.
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SOLO EXHIBITIONS & PUBLIC PROJECTS
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| 2012 |
Social Structure II, U.S. Embassy, Bosnia and Herzegovina. Idyllwild, Catharine Clark Gallery, San Francisco, CA, September 2012
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| 2011 |
Rondo, Louisville, Kentucky. Presented by artwithoutwalls Waste_Generation, Sam Lee Gallery, Los Angeles, CA February 2011 The Underglow, US Ambassador's Residence, Stockholm Sweden, February 2011
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2010
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Waste_Generation, Andrew Edlin Gallery, NY, NY October 2010 Apocalypse Management, Catharine Clark Gallery, San Francisco, CA October 2010 Shower Shade, Permanent Public Project, Police & Fire Training Academy, Austin, Texas Bridgewater State College, Briidgewater, Mass. October 2010
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| 2009 |
Apocalypse Management: Vistas and Details, Taubman Museum of Art, Roanoke, Virginia Culver City Currency, Permanent public project, Westfield, Culver City, Ca Ecstatic City Tampa, Multi-media project + permanent component, Tampa Convention Center, Tampa, Florida
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| 2008 |
Ecstatic City Melbourne, Multi-media project, Melbourne International Arts Festival, Melbourne, Australia |
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| 2007 |
Still and Still Moving, Sam Lee Gallery, Los Angeles, CA The Moons, Permanent outdoor video installation, Sprint Arena, Kansas City, MO 50,000 Beds, Presented simultaneously at The Aldrich Museum, Ridgefield, CT; Artspace, New Haven, CT; and Real Art Ways, Hartford, CT
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| 2006 |
Vault, Permanent installation, Jackson County Courthouse, Kansas City, MO Recent Video Works, List Visual Art Center, MIT, Cambridge, MA
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| 2005 |
FLIGHT POWER LOVE TOWER, Jessica Murray Projects, New York, NY
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| 2004 |
Dream of Arcadia, The Drawing Room, East Hampton, NY We Will Again Be Optimists, five channel video projection, 48 Wall Street, New York, NY Loops: Chris Doyle & Jackie Gendel, Voelcker und Freunde Gallerie, Berlin, Germany Search Engine, Trahern Gallery + façade projection, Austin Peay University, Clarksville, TN
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| 2003 |
Do You Like Plain Pleasures?, Jessica Murray Projects, Brooklyn, NY Endless Love, Sculpture Center, Queens, NY
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| 2002 |
In Private, Jessica Murray Projects, Brooklyn, NY
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| 2001 |
5.5, "Untitled House Project," Real Art Ways, Hartford, CT
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| 2000 |
Leap, video projection on 2 Columbus Circle + subway car cards, New York, NY Some Natural History, Installation, University of Michigan Museum of Art, Ann Arbor, MI What I See When I Look At You, facade video projection, University of Michigan Museum of Art, Ann Arbor, MI
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| 1999 |
When I Grow Up I Want To Be Famous, video installation, Long Island University, Brooklyn, NY
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| 1998 |
Dog Run, outdoor installation at Long Island University, Brooklyn, NY
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| 1996 |
Commutable, installation, Williamsburg Bridge, Public Art Fund, NY
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SELECTED GROUP EXHIBITIONS AND COLLABORATIONS
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2012
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Tending Toward the Untamed: Artists Respond To The Wild Garden, Glyndor Gallery, Wave Hill, NY, NY
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Portraiture Post Facebook, Catharine Clark Gallery, San Francisco, Ca
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2011
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Red Rovers, collaboration with Headlong Dance Theater, Philadelphia, Pa
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The Bank and Trust Show, Arts Westchester, White Plains, NY Wicked Little Critter,Kristi Engle Gallery, Los Angeles, Ca
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2010
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Resurectine, Ronald Feldman Fine Arts, New York, NY Observant, ISE Foundation, NY, NY Desire, Blanton Museum of Art, University of Texas, Austin Dancing on the Ceiling, EMPAC, RPI, Troy, NY You’re Such a Good Sport, Charlotte Street Foundation, Kansas City, Mo
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| 2009 |
These Days: Elegies for Modern Times, MassMoca, North Adams, Mass Labyrinth of Memory, Gallery BWA, Katowice, Poland
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| 2008 |
Relevé, Andrew Edlin Gallery, New York, NY |
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Disentangle, Andreas Grimm Gallery, New York, NY
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| 2007 |
Amass, Boots Contemporary Art Space, St Louis, Mo, Backyard, Midwest Museum of Contemporary Art, Indianapolis, In Nexus, Sam Lee Gallery, Los Angeles, Ca
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| 2006 |
I Heart the Burbs, Katonah Museum of Art, Katonah, NY Twice Drawn, Tang Museum, Saratoga Springs, NY
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| 2005 |
Scanners:New York Video Festival, Lincoln Center, NY Wittgenstein in New York, Neue Nationalgalerie, Berlin, Germany NextNextArt, Brooklyn Academy of Music, Brooklyn, NY
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2004
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Face Off, Ronald Feldman Fine Arts, New York, NY Open House, Working in Brooklyn, Brooklyn Museum, Brooklyn, NY Closed Universes, Galerija Kontura, Zagreb, Croatia Art as Autobiography, Rare Gallery, New York, NY Works on Paper, Voelcker und Freunde Gallerie, Berlin, Germany Grotto II, Jessica Murray Projects, Brooklyn, NY
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2003
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How Deep is Your Love, Jessica Murray Projects, Brooklyn, NY American Dream, Ronald Feldman Fine Arts, New York, NY
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2002
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Grotto, Jessica Murray Projects, Brooklyn, NY Heart of Gold, P.S. 1 Museum of Contemporary Art, Queens, NY Eyestalk, "Viva I (Franks)" Video Installation, Smack Mellon, March 9, 2002, Brooklyn,NY Interval, "Natural History II" Video Installation, Sculpture Center, Queens, NY
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2001
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Crossing the Line, "Motorhome," Outdoor Multimedia Performance, Queens Museum of Art, Queens, NY Crossing the Line, "Gorgeous One Family Detached," Queens Museum of Art, Queens, NY Interval, Sculpture Center, Long Island City, NY Another Day on Planet Earth, DeChiara/Stewart, New York, NY
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1999
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Flock, Socrates Sculpture Park, Queens, NY
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1998
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Transfiguration, "Lift," Bronwyn Keenan Gallery, New York, NY Hybrovideo, "Lessons" Exit Art, New York, NY,/PARK4DTV, Amsterdam, Holland |
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| AWARDS & RESIDENCIES |
| 2010 |
MAP Fund, Collaboration with Headlong Dance Theater |
| 2005 |
Fellow, McDowell Colony, Peterborough, NH (also 2001, 1998, 1996, 1991) |
| 2003 |
Percent for Art Commission, Glen Oaks Public Schools, Queens, NY |
| 2002 |
New York State Council for the Arts Grant, Film and Video |
| 2001 |
New York Foundation for the Arts Fellowship, Multidisciplinary Work |
| 2000 |
Creative Capital Foundation Grant, Visual Art |
| 1997 |
Wheelwright Fellowship, Travel Grant from the Harvard Graduate School of Design |
| 1996 |
Public Art Fund, In the Public Realm, Open Competition |
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| SELECTED BIBLIOGRAPHY |
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| Levin, Kim, Talking Trash, ARTnews, June 2011 |
| Mennekes, Friedheim, Memory Labyrinth- Faces of Evil, 1939-2009, Katowice, Poland, Ars Cameralis Silesiae Superioris, 2011 |
| Houlihan, Timothy, Memory Labyrinth- Faces of Evil, 1939-2009, Katowice, Poland, Ars Cameralis Silesiae Superioris, 2011 |
| Knight, Christopher, Chris Doyle at Sam Lee Gallery, LATimes, March 17, 2011 |
| ArtweekLa, Chris Doyle: Waste_Generation, ArtweekLa, February 21,2011 |
| Schreuder, Catrien, Pixels and Places, Video Art in Public Space, Rotterdam, Nai Publishers, 2010 |
Janairo, Michael, Dancing on the Ceiling, Albany Times Union, March 25, 2010 Goepfert, Bob, Heavy Conceps Abound in ‘Dancing on the Ceiling” at EMPAC, Troy Record, March 25, 2010 Mitchell, John, At MoCA, Yesterday’s Coming Back Tomorrow, North Adams Transcript, April 10, 2009 Mitchell, John, The Bright Side of the End of the World, North Adams Transcript, April 3, 2009 Bonenti, Charles, Lamentations For Our Times, Berkshire Eagle, April 3, 2009 Voeller Megan, "Lights Fantastic" Creative Loafing, January 7th, 2009 Bennett, Lennie, "Light Shines On Tampa" St. Petersberg Times, January 6, 2009 Maine, Stephen," Live-Work Options", Art in America, October, 2008 Freeman-Green, Suzy," Freeze Frame As Big Men Fly", The Age, A2, October 4, 2008 Dwyer, Michael," Sensory Stimulation", The Age, Entertainment Guide, October 3, 2008 Doyle, Chris "Creative Capital" APT Insight, Winter, 2008 Thorson, Alice "Sprint Centers 'The Moons" Will Be Unveiled Wednesday" The Kansas City Star, October 9, 2007 O'Shaughnessy, Tracey, "Three Connecticut Museums + 45 Hotel Rooms + 1 Master Artist = 50,000 Beds" Republican American, August 26, 2007 Brune, Adrian "Behind Closed Doors" Hartford Courant, July 22, 2007 Gengo, Lorraine "In Bed Together" New Haven Advocate, July 18, 2007 Doherty, Donna "Bedtime" New Haven Register, July 14, 2007 Yablonsky, Linda "Hotel Rooms Become Overnight Stars" The New York Times, July 18, 2007 Taylor, Kate "Art (and Marketing" In The Age of YouTube" The New York Sun, June 13, 2007 LaMotta, Lisa "It Sure Beats the NEA" Fast Company, April 2007 Antrim, Taylor "Spellbound" Vogue,October, 2006 Thorson, Alice "Shield Us From Wrongheaded Politicians" The Kansas City Star, October 8, 2006 Horsley, Lynn "Taking the Leap into the Art World" The Kansas City Star, September 29, 2006 Horsely, Lynn "If You Can Bounce, You Could Be Flying" The Kansas City Star, September 23, 2006 Barton, Eric "Angry Artist" The Pitch, September 21, 2006 Boothe, Stephanie "County Staff Becomes Art" The Examiner, September 14, 2006 Thorson, Alice "‘Fresco’ Celebrates Everyday People" The Kansas City Star, September 3, 2006 Editors "His Videos Take Flight" The Boston Globe, April 3, 2006 Helling, Dave, "On The Screen: It's a Bird! Or is it Bob?" Kansas City Star, February 18, 2006 Horsley, Lynn, “Let The Art Debate Start,” Kansas City Star, February 9, 2006 Editors, “Art In The Public Eye,” Kansas City Star, February 10, 2006 Johnson, Ken “Flight Power Love Tower,” New York Times, November 4, 2005 Editors, “Flight Power Love Tower,” The New Yorker, November 7, 2005 Winkleman, Edward "Artist of the Week (10/24/05)" www.edwardwinkleman.blogspot.com, October 23, 2005 Moore, Cindy "Subverting the Saccharine: Contemporary Watercolor," ducts.org, Summer 2005 Yablonsky, Linda, "What's So Funny About Contemporary Art,"Artnews, September, 2004 Freedman, Susan K. et al., Eds. PLOP: Recent Projects of the Public Art Fund, London/New York, 2004 Meixner, Christiane, "Frische Malerei aus Manhattan" Morgenpost, May 18, 2004 Maddox, David, "Critics Pick: Chris Doyle" Nashville Scene, March 11, 2004 Sholis, Brian, "Chris Doyle: Do You Like Plain Pleasures?," Flash Art, November/December 2003 Sorokina, Elena. "Williamsburg–das New Yorker Galerienwunder," Junge Kunst, Nr.56, Fall 2003. pp.22-27 (illus.) Shaw, Lytle, "Chris Doyle: In Private," Time Out New York, March 7, 2002 Smith, Roberta, "Funky Digs With Lots of Space...," New York Times, September 28, 2001 Takahashi, Corey, "Art Finds Its Center", Newsday, September 28, 2001 Dover, Caitlin, "Technology Has Entered Fully Into The Realm Of Public Art...," Print, July/August, 2001 Hakanson, Colby, "Joy, Video Invasion," Detroit News, September 6, 2000 Wilson, Megan, "Pierogi: Flatfiles," San Francisco Bay Guardian, August 16, 2000 Goldbaum, Karen, "A Conversation with Chris Doyle," Insight, September/October, 2000 Green, Roger, "Small Screens, Big Ideas," The Ann Arbor News, September 2, 2000 Pfaff, Kimberly, "Creative Forces," Space, September/October, 2000 Stevens, Kimberly, "A Lot of New Yorkers With Their Heads in the Clouds," New York Times, April 30, 2000 Cohen, Billie, "Leap of Faith," Time Out New York, April 20, 2000 Steinke, Darcey, "Leap," www.ArtNewYork.com, March, 2000 Editors, "High Hopes," Artnews, March, 2000 Adwan Rania, "Ever Wonder...," Dazed and Confused, March, 2000 Budick,Ariella, "Splendors In The Grass," Newsday, August 22, 1999 Johnson, Ken, "A Fertile Garden Of Sculptures," The New York Times, August 13, 1999 Editors, "The Artist's Gild," New York Magazine, September 30,1996 Weber, Bruce, "Flight of Fancy," The New York Times, September 11, 1996
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| EDUCATION |
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1985
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Master of Architecture, Degree with Distinction HARVARD UNIVERSITY, Graduate School of Design |
| 1981 |
Bachelor of Arts, Fine Arts, Magna cum laude BOSTON COLLEGE, School of Arts and Sciences
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